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Untitled (Fifteen Minutes)

fabric, metal, copper piping
300 x 100 x 100 cm
Frieze New York, 2013

The works on view culminate the artist's correspondence with a young woman who developed in architect Glenn Robert Lym's phrase, a "neurotic, mini home spatial order", due to the false impression that her skin was increasing in transparency. This resulted in both an elaborate system for keeping track of her fading opacity and the painstaking arrangement of her architectural surroundings.

(by Sommer & Kohl, Frieze New York, Frame 2013)

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